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beyer m160 overheads

The M160 is supposed to be great on guitar cabs too, and it >>would have more top end than the M260. as an overhead drum mic, for miking pianos, violins, saxophone and for vocals. I love them on overhead, takes a fair bit of processing, but OMG is it worth it - I find I use them more on snare and toms nowadays though - also E.guitar.....WOW, you would be surprised, fig 8 mics can and do work in small rooms all the time. Beyer M160s get a good rap here as drum overheads. Youtube. for a ribbon. i like them a lot. The M160 is extremely versatile and with a full frequency range. The M160 is extremely versatile and with a full frequency range. It is used as the basis microphone for instruments, but can work very well on voice. I've had awesome (to my humble lofi ears) results with one M160 above the snare and one md21 down at the floor tom facing to the snare. You may be expecting too much from your microphone choice. These are now my staple overhead mics, they're very smooth sounding. You need an account to post a reply. I use one overhead and it's the Beyer M160. Youtube. When you buy products through links across our site, we may earn an affiliate commission. i have about 12 top end mics. I would not just call it a dark mic, but it does seem right up your alley. Show all. Made in Germany. Any ribbon/dynamic is going to be darker than the SM81. M160's are not just great for overheads, use them on toms, snare, and our favorite - HiHats. I'm using it through my Focusrite 428. When placed as overheads, the M160s give a very balanced picture of the drum kit and add that special ribbon colour which you'll immediately notice once you hear it. Personally I would go for a more detailed sound for jazz overheads and go the SDC route, but if you can cover these other 2 bases well the M160 will indeed get the job done. Unfortunately if you want less hihat you have to play it quieter. I use a pair of M160s as drum O/Hs all the time. Pete Thorn. It is often paired with the M130 for mid-side stereo applications, in which the bidirectional M130 captures the “side” channel, and the M160 captures the “mid.”. https://open.spotify.com/album/0ES8R...Rcu4IyWMWCdVoQ, Already have an account? The M160 is an unusual ribbon microphone, in that it has a hypercardioid pickup pattern. great mics. I use two M160's for overheads and a Heil PR40 in front of the kick. Ola Englund. Show all. The M160 is an unusual ribbon microphone, in that it has a hypercardioid pickup pattern. It breaks the mold of the typical "Dark" sound of normal ribbon mics. I was on the stage where the famous choir sings with orchestra. The Beatles, Bob Marley. A certain classic rock band used two as overheads on a their kit to create one of the most famous drum sounds of all time. I have also recorded louder music with the same configuration and love it. I run the overheads through an A-Designs Pacifica mic pre and it sounds fantastic. QUALITY. Of course anything will be better than a condenser in this situation. M160s plus UBK Clariphonic on OHs = magic. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Hey there! Don't expect that wide, fat sound of the larger ribbons! But if you have low ceilings and a bad room, you are going to get bad sounds no matter what you use. i have tubes, ribbons, condensers. From the very beginning, the M 160 has placed extraordinary demands on the people who produce it – from the precise strength of the pure aluminium ribbon and its exacting placement on the magnet shoe to the testing of vibration behaviour. In your situation, you need to try to capture as little of the room as possible, which means using as few mics as you can, and mixing overheads very low, if not avoiding them altogether. I have gotten really good results with a pair of 47 clones IN OMNI with a fairly dead room that has been treated. Hey there! I want to try ribbon mics as overheads, to tame the hihats and cymbal sizzle. The tour is with a folk singer, and it never gets very loud. It is often paired with the M130 for mid-side stereo applications, in which the bidirectional M130 captures the “side” channel, and the M160 captures the “mid.”. This is a double ribbon microphone, which gives it a hypercardioid where the majority of tapes are bi-directional. I have low ceilings, so Beyer M160 is the obvious choice. they also have very good rejection, again, esp. The non-glare black surface of the M 160 and its small dimension allow the unobtrusive use in TV or film studios. The output isn't as hot as other mics I've used so a good pre is a must. Remote Possibilities in Location Recording & Production. for a ribbon. 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